{"title":"Art Prints","description":null,"products":[{"product_id":"william-p-gottlieb-portrait-of-thelonious-monk-1947","title":"William P. Gottlieb — Portrait of Thelonious Monk, 1947","description":"\u003cp\u003e\u003cem\u003eMinton's Playhouse, Harlem, around 1947 — the room where bebop was born. Gottlieb leans in and catches Thelonious Monk at the piano, glasses low, mid-idea, the whole grammar of modern jazz about to change.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout the photograph\u003c\/h3\u003e\n\u003cp\u003eWilliam P. Gottlieb (1917–2006) made the defining photographs of the golden age of American jazz between 1938 and 1948, then placed his entire archive in the public domain through the Library of Congress.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the photographer's archival standard). The Métrica museum caption — title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003ePhotograph: William P. Gottlieb · Library of Congress, William P. Gottlieb Collection (public domain).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48724032028772,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48724032061540,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48724032094308,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48724032127076,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/d0b07178afa34f481c03f29ff6d111d5.jpg?v=1783602455"},{"product_id":"william-p-gottlieb-billie-holiday-in-the-dressing-room-1946","title":"William P. Gottlieb — Billie Holiday in the dressing room, 1946","description":"\u003cp\u003e\u003cem\u003eNew York, around 1946. Between sets, Gottlieb finds Billie Holiday at her dressing-room table — white flowers in her hair, a boxer at her side, the mirror doubling the room. One of the warmest, most human images of a singer the world mostly saw on a stage.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout the photograph\u003c\/h3\u003e\n\u003cp\u003eWilliam P. Gottlieb (1917–2006) made the defining photographs of the golden age of American jazz between 1938 and 1948, then placed his entire archive in the public domain through the Library of Congress.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the photographer's archival standard). The Métrica museum caption — title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003ePhotograph: William P. Gottlieb · Library of Congress, William P. Gottlieb Collection (public domain).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48724037369956,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48724037402724,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48724037435492,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48724037468260,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/e4c93d56ae690f8a473b7db6d6b8d0ed.jpg?v=1783602825"},{"product_id":"william-p-gottlieb-portrait-of-louis-armstrong-1946","title":"William P. Gottlieb — Portrait of Louis Armstrong, 1946","description":"\u003cp\u003e\u003cem\u003eNew York, around 1946. Backstage at the Aquarium, Louis Armstrong raises the trumpet, handkerchief in hand, and looks straight down the lens.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout the photograph\u003c\/h3\u003e\n\u003cp\u003eWilliam P. Gottlieb (1917–2006) made the defining photographs of the golden age of American jazz between 1938 and 1948, then placed his entire archive in the public domain through the Library of Congress.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the photographer's archival standard). The Métrica museum caption — title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003ePhotograph: William P. Gottlieb · Library of Congress, William P. Gottlieb Collection (public domain).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48724037566564,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48724037599332,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48724037632100,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48724037664868,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/5a414b7ecfc81e7a0b7543c2f23f0064.jpg?v=1783602828"},{"product_id":"william-p-gottlieb-portrait-of-duke-ellington-1946","title":"William P. Gottlieb — Portrait of Duke Ellington, 1946","description":"\u003cp\u003e\u003cem\u003eNew York, around 1946. Duke Ellington at the Zanzibar — the man who turned the big band into an orchestra and the American songbook into an art.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout the photograph\u003c\/h3\u003e\n\u003cp\u003eWilliam P. Gottlieb (1917–2006) made the defining photographs of the golden age of American jazz between 1938 and 1948, then placed his entire archive in the public domain through the Library of Congress.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the photographer's archival standard). The Métrica museum caption — title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003ePhotograph: William P. Gottlieb · Library of Congress, William P. Gottlieb Collection (public domain).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48724037730404,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48724037763172,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48724037795940,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48724037828708,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/6204aff5c1b3f7dc373a5ef49034f4d2.jpg?v=1783602831"},{"product_id":"william-p-gottlieb-portrait-of-ella-fitzgerald-1946","title":"William P. Gottlieb — Portrait of Ella Fitzgerald, 1946","description":"\u003cp\u003e\u003cem\u003eNew York, around 1946. Ella Fitzgerald in the years she was quietly rewriting what a singer could do with a melody.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout the photograph\u003c\/h3\u003e\n\u003cp\u003eWilliam P. Gottlieb (1917–2006) made the defining photographs of the golden age of American jazz between 1938 and 1948, then placed his entire archive in the public domain through the Library of Congress.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the photographer's archival standard). The Métrica museum caption — title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003ePhotograph: William P. Gottlieb · Library of Congress, William P. Gottlieb Collection (public domain).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48724037894244,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48724037927012,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48724037959780,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48724037992548,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/e7caacd0359aa68969587efd025d7fe8.jpg?v=1783602834"},{"product_id":"william-p-gottlieb-portrait-of-dizzy-gillespie-1947","title":"William P. Gottlieb — Portrait of Dizzy Gillespie, 1947","description":"\u003cp\u003e\u003cem\u003eNew York, around 1947. Glasses low, Dizzy Gillespie plays into the lens — one of the architects of bebop, mid-invention.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eAbout the photograph\u003c\/h3\u003e\n\u003cp\u003eWilliam P. Gottlieb (1917–2006) made the defining photographs of the golden age of American jazz between 1938 and 1948, then placed his entire archive in the public domain through the Library of Congress.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the photographer's archival standard). The Métrica museum caption — title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003ePhotograph: William P. Gottlieb · Library of Congress, William P. Gottlieb Collection (public domain).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48724038058084,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48724038090852,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48724038123620,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48724038156388,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/99dcc93e2ffb4f196bdb7deb557899e8.jpg?v=1783602838"},{"product_id":"anna-atkins-spiraea-aruncus-print","title":"Anna Atkins — Spiræa aruncus (cyanotype)","description":"\u003cp\u003e\u003cem\u003eA plant's shadow, printed in light. Anna Atkins laid a stalk of goat's-beard on iron-salted paper and left it in the sun — a photograph made without a camera.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThis is a \u003cstrong\u003ecyanotype\u003c\/strong\u003e — one of the earliest photographic processes, printed by sunlight alone. Where the plant blocked the light the paper stayed white; everywhere else it turned Prussian blue. We reproduce the original faithfully, exactly as it survives at the Metropolitan Museum of Art — including Atkins's own handwritten label.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eAnna Atkins (1799–1871) was a British botanist and, by most accounts, the first person to publish a book illustrated with photographs — \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e (1843). She turned a scientific record into images that still look like the future.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eAnna Atkins · \u003cem\u003eSpiraea aruncus (Tyrol)\u003c\/em\u003e, cyanotype · 1851–54 · The Metropolitan Museum of Art · Accession 2004.172 · Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48750725693540,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48750725726308,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48750725759076,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48750725791844,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/atkins-spiraea-lamina.jpg?v=1784000292"},{"product_id":"aubrey-beardsley-isolde-print","title":"Aubrey Beardsley — Isolde (colour lithograph)","description":"\u003cp\u003e\u003cem\u003eOne of the few colour works Beardsley ever made: Isolde raising the cup, 1895 — flat planes and fine black line.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA colour lithograph published as a supplement to \u003cem\u003eThe Studio\u003c\/em\u003e in 1895. Reproduced faithfully from the impression at the Cleveland Museum of Art, including its black keyline border.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eAubrey Beardsley (1872–1898) redefined illustration in a career of barely six years — decadent, precise black-and-white line made for reproduction.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eAubrey Beardsley · \u003cem\u003eIsolde\u003c\/em\u003e, colour lithograph �� 1895 · The Cleveland Museum of Art · Accession 2010.651 · Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754819858532,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754819891300,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754819924068,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754819956836,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/isolde-lamina.jpg?v=1784032988"},{"product_id":"the-beggarstaffs-don-quixote-print","title":"The Beggarstaffs — Don Quixote (1895)","description":"\u003cp\u003e\u003cem\u003eThe design that helped invent modern graphic design — cut paper and flat silhouette, 1895, for a Don Quixote poster the theatre refused to hang.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThe original cut-paper collage design (V\u0026amp;A: “not issued as a poster”), reproduced faithfully — the aged paper of the object is part of the piece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003e“The Beggarstaffs” was James Pryde and William Nicholson, who for a few years in the 1890s made the most radical posters in Britain — reductive, flat, decades ahead.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eThe Beggarstaffs · \u003cem\u003eDon Quixote\u003c\/em\u003e, cut-paper collage · 1895 · Victoria and Albert Museum, London · Accession E.1208-1927 · Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754819989604,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820022372,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820055140,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820087908,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/donquixote-lamina.jpg?v=1784032993"},{"product_id":"kamisaka-sekka-white-heron-print","title":"Kamisaka Sekka — White Heron (Momoyogusa)","description":"\u003cp\u003e\u003cem\u003eA white heron built from flat, bordered planes — design thinking a century early.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA colour woodcut from Sekka’s \u003cem\u003eMomoyogusa\u003c\/em\u003e (“Flowers of a Hundred Worlds”), 1909–10. Reproduced faithfully from the impression at the Cleveland Museum of Art.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eKamisaka Sekka (1866–1942) was the last great master of the Rimpa school and, in many ways, the first modern Japanese designer.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eKamisaka Sekka · \u003cem\u003eShirosagi (White Heron)\u003c\/em\u003e, from Momoyogusa · 1909–10 · The Cleveland Museum of Art · Accession 1988.23.1.19 · Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820120676,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820153444,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820186212,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820218980,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/whiteheron-lamina.jpg?v=1784032996"},{"product_id":"johann-bayer-orion-print","title":"Johann Bayer — Orion (Uranometria, 1603)","description":"\u003cp\u003e\u003cem\u003eOrion from the first atlas to map the whole sky and letter its stars in Greek — the naming system astronomers still use.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA copperplate engraving from Bayer’s \u003cem\u003eUranometria\u003c\/em\u003e (Augsburg, 1603), engraved by Alexander Mair. Reproduced faithfully from the original plate.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eJohann Bayer (1572–1625) was a German lawyer and astronomer; his Uranometria introduced the Bayer designation, still standard today.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJohann Bayer · \u003cem\u003eOrion · Uranometria\u003c\/em\u003e, line engraving · Augsburg, 1603 · Engraved by Alexander Mair · Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820317284,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820350052,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820382820,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820415588,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/orion-lamina.jpg?v=1784033001"},{"product_id":"hishikawa-moronobu-after-a-little-music-print","title":"Hishikawa Moronobu — After a Little Music","description":"\u003cp\u003e\u003cem\u003eAn early ukiyo-e woodblock in a single sumi-black line, carved by the father of the form.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA sumizuri-e woodblock, c. 1673, printed in one black key-line before colour entered the medium. Reproduced faithfully from the impression at the Art Institute of Chicago.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eHishikawa Moronobu (c. 1618–1694) is called the father of ukiyo-e — the first to sign his prints and lift the “floating world” into an art of its own.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eHishikawa Moronobu · \u003cem\u003eAfter a Little Music\u003c\/em\u003e, sumizuri-e woodblock · c. 1673 · Art Institute of Chicago · Accession 1973.645.5 · Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820448356,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820481124,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820513892,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820546660,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/moronobu-lamina.jpg?v=1784033005"},{"product_id":"elizabeth-cobbold-monitory-lizard-print","title":"Elizabeth Cobbold — The Monitory Lizard","description":"\u003cp\u003e\u003cem\u003eA poet’s papercut: the lizard walks on the verse she wrote. Elizabeth Cobbold cut some eighty valentines a year, each scissored by hand.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA cut-paper valentine, c. 1823 — white paper scissored by hand on a red ground, with her own inscribed verse. Reproduced faithfully from the original at the New York Public Library.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eElizabeth Cobbold (1767–1824) was an Ipswich poet and naturalist who made intricate paper valentines for her annual St Valentine’s ball.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eElizabeth Cobbold · \u003cem\u003eThe Monitory Lizard\u003c\/em\u003e, cut-paper valentine · c. 1823 · The New York Public Library · Pforzheimer Collection · Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820579428,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820612196,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820644964,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820677732,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/cobbold-lamina.jpg?v=1784033009"},{"product_id":"katagami-flying-fish-print","title":"Katagami — Flying Fish (Japan, c. 1900)","description":"\u003cp\u003e\u003cem\u003eA katagami — the Japanese paper stencil cut to resist-dye kimono cloth, a direct forerunner of screen-printing.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA hand-cut mulberry-paper dye-stencil, c. 1900, its reinforced edges part of the object. Reproduced faithfully from the original at Cooper Hewitt.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eKatagami were cut by anonymous master artisans in Japan; this flying-fish design is from the Meiji period.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJapan (Meiji) · \u003cem\u003eFlying Fish (katagami)\u003c\/em\u003e, paper dye-stencil · c. 1900 · Cooper Hewitt, Smithsonian Design Museum · Accession 1946-104-8 · Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820743268,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820776036,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820808804,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820841572,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/flyingfish-lamina.jpg?v=1784037541"},{"product_id":"aubrey-beardsley-the-black-cape-print","title":"Aubrey Beardsley — The Black Cape (Salomé, 1894)","description":"\u003cp\u003e\u003cem\u003eThe most famous dress in illustration — and it is one black shape. Beardsley for Wilde’s Salomé, 1894.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA line block from the first English edition of Oscar Wilde’s \u003cem\u003eSalomé\u003c\/em\u003e (Elkin Mathews \u0026amp; John Lane, 1894): pure black line and bare paper. Reproduced faithfully.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eAubrey Beardsley (1872–1898) scandalized Victorian England with a black-and-white line made for reproduction; nothing has looked quite like it since.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eAubrey Beardsley · \u003cem\u003eThe Black Cape\u003c\/em\u003e, line block · 1894 · First British edition · Salomé, London, 1894 · Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754821267556,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754821300324,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754821333092,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754821365860,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/blackcape-lamina.jpg?v=1784033018"},{"product_id":"oliver-byrne-elements-of-euclid-print","title":"Oliver Byrne — The Elements of Euclid (I.47)","description":"\u003cp\u003e\u003cem\u003eEuclid in colour instead of letters — in 1847 Oliver Byrne proved the Pythagorean theorem in blocks of pure colour.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThe colour proof of Proposition I.47 from Byrne’s \u003cem\u003eElements of Euclid\u003c\/em\u003e (William Pickering, London, 1847), reproduced faithfully — flat red, blue, yellow and black.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eOliver Byrne (1810–1880) replaced Euclid’s lettered diagrams with coloured figures “for the greater ease of learners” — a book a century ahead of its design.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eOliver Byrne · \u003cem\u003eThe Elements of Euclid · I.47\u003c\/em\u003e, colour proof · 1847 · First edition · London, 1847 · Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754821398628,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754821431396,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754821464164,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754821496932,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/byrne-lamina.jpg?v=1784037548"},{"product_id":"mozart-symphony-32-k318-print","title":"W. A. Mozart — Symphony No. 32, K.318 (autograph)","description":"\u003cp\u003e\u003cem\u003eMozart’s own hand — the opening of Symphony No. 32, dated 26 April 1779. Nothing redrawn.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of Mozart’s autograph score, held at the New York Public Library. The archive marks are cleaned; every stroke of his hand is untouched.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eW. A. Mozart (1756–1791) wrote this single-movement “Italian overture” symphony in Salzburg in 1779.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eW. A. Mozart · \u003cem\u003eSymphony No. 32, K.318\u003c\/em\u003e, autograph score · 1779 · The New York Public Library · Music Division · Public domain (U.S.).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754821529700,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754821562468,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754821595236,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754821628004,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/mozart-lamina.jpg?v=1784033026"},{"product_id":"rimbaud-je-est-un-autre-print","title":"Arthur Rimbaud — « Je est un autre » (1871)","description":"\u003cp\u003e\u003cem\u003eThe line that broke poetry in two — « Je est un autre » — in Rimbaud’s own hand, not set in type.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of Rimbaud’s autograph manuscript — the “lettre du voyant” to Paul Demeny of 15 May 1871, held at the Bibliothèque nationale de France.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eArthur Rimbaud (1854–1891) had abandoned poetry by twenty-one; this is his hand at sixteen, remaking what a poem could be.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eArthur Rimbaud · \u003cem\u003e« Je est un autre »\u003c\/em\u003e, autograph manuscript · 1871 · Bibliothèque nationale de France · NAF 26499, f. 21 · Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754821660772,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754821693540,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754821726308,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754821759076,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/rimbaud-lamina.jpg?v=1784033030"},{"product_id":"elias-grossman-rain-on-the-square-print","title":"Elias M. Grossman — Rain on the Square","description":"\u003cp\u003e\u003cem\u003eRain on the square, printed by the artist’s own hand — the full sheet, signatures and hand-lettered title left exactly as they are.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA color etching, undated. Reproduced from the complete sheet at the Smithsonian American Art Museum: both pencil signatures, the title written by hand below the plate, and the annotation \u003cem\u003eimp.\u003c\/em\u003e — which means Grossman pulled this impression himself. The irregular edge of the paper is part of the object and has not been trimmed.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eElias M. Grossman was born in Kobryn — then the Russian Empire, today Belarus — in 1898, and died in New York City in 1947. The city is his subject: wet asphalt, tenement walls, the light under an arch, cut in a line so fine it exists only in print.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eElias M. Grossman · \u003cem\u003eRain on the Square\u003c\/em\u003e, color etching on paper · n.d. · Smithsonian American Art Museum · Accession 2012.13.1 · Gift of Peter E. Blau and Andrew J. Blau in memory of their father, Alan J. Blau · Public domain (CC0).\u003c\/p\u003e\n  \u003cp style=\"margin:18px 0 0;border-top:1px solid #e0d7ca;padding-top:14px\"\u003e\u003ca href=\"\/blogs\/the-archive\/grossman-the-new-deal-paid-for-this-street\" style=\"font-family:Ciutadella,sans-serif;font-weight:600;font-size:12px;letter-spacing:.14em;text-transform:uppercase;color:#6f5d4a;text-decoration:none\"\u003eRead this piece in The Archive →\u003c\/a\u003e\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49054956945508,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49054956978276,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49054957011044,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49054957043812,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/rain-on-the-square-lamina.jpg?v=1787530019"},{"product_id":"elias-grossman-william-street-print","title":"Elias M. Grossman — William Street","description":"\u003cp\u003e\u003cem\u003eA downtown canyon in drypoint, made for the WPA — the Federal Art Project stamp is still on the sheet.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA drypoint, undated, from the New York City unit of the Federal Art Project. The sheet still carries its \u003cem\u003eFEDERAL ART PROJECT · NYC · WPA\u003c\/em\u003e stamp, the artist’s pencil signature and his hand-lettered title. The museum received it as a transfer from the D.C. Public Library. Reproduced complete — nothing trimmed.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eElias M. Grossman was born in Kobryn — then the Russian Empire, today Belarus — in 1898, and died in New York City in 1947. The city is his subject: wet asphalt, tenement walls, the light under an arch, cut in a line so fine it exists only in print.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eElias M. Grossman · \u003cem\u003eWilliam Street\u003c\/em\u003e, drypoint · n.d. · Smithsonian American Art Museum · Accession 1967.72.110 · Transfer from D.C. Public Library · Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49054957076580,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49054957109348,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49054957142116,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49054957174884,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/william-street-lamina.jpg?v=1787530025"},{"product_id":"elias-grossman-untitled-manhattan-print","title":"Elias M. Grossman — Untitled (Manhattan)","description":"\u003cp\u003e\u003cem\u003eA block looking up: a slab tower, a Gothic spire, two cars at the kerb. Etching and drypoint, c. 1933–43.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eAn etching with drypoint, dated by the museum to c. 1933–1943. The work carries no title — the parenthesis is ours, not the artist’s. Reproduced from the complete sheet, its warm toned paper and the artist’s pencil signature included.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eElias M. Grossman was born in Kobryn — then the Russian Empire, today Belarus — in 1898, and died in New York City in 1947. The city is his subject: wet asphalt, tenement walls, the light under an arch, cut in a line so fine it exists only in print.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eElias M. Grossman · \u003cem\u003eUntitled\u003c\/em\u003e, etching and drypoint on paper · ca. 1933–1943 · Smithsonian American Art Museum · Accession 1974.28.111 · Transfer from the General Services Administration · Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49054957207652,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49054957240420,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/untitled-manhattan-lamina.jpg?v=1787530030"},{"product_id":"joseph-pennell-broadway-towers-print","title":"Joseph Pennell — Broadway Towers","description":"\u003cp\u003e\u003cem\u003eBroadway in 1904, drawn looking up: the towers lean in and the sky is a narrow strip of light between them.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA lithograph from Pennell’s portfolio \u003cem\u003eLithographs of New York in 1904\u003c\/em\u003e, printed in 1905. Drawn with a lithographic crayon on stone — the softness is the medium, not the scan. Reproduced from the impression at the Smithsonian American Art Museum, complete with the artist’s monogram at lower centre.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eJoseph Pennell (1857–1926) was born in Philadelphia and died in New York City. He spent a career drawing the built world — cathedrals, canals, bridges, and the first American skyscrapers.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJoseph Pennell · \u003cem\u003eBroadway Towers\u003c\/em\u003e, lithograph · 1905 · from \u003cem\u003eLithographs of New York in 1904\u003c\/em\u003e · Smithsonian American Art Museum · Accession 1983.90.143 · Bequest of Olin Dows · Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49055135891556,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49055135924324,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49055135957092,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49055135989860,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/pennell-broadway-towers-lamina.jpg?v=1787539172"},{"product_id":"hendrik-glintenkamp-city-scene-print","title":"Hendrik Glintenkamp — City Scene","description":"\u003cp\u003e\u003cem\u003eTwo street signs cross the middle of the sheet — FRONT ST and OLD SLIP — and behind them the towers go up in flat black.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA lithograph in solid blacks, undated. The sheet is numbered \u003cb\u003e4\/50\u003c\/b\u003e and signed in pencil below the image. The crossed street signs name the corner: Front Street and Old Slip, in lower Manhattan, a block from the East River. Reproduced from the impression at the Smithsonian American Art Museum.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eHendrik Glintenkamp (1887–1946) was born in Augusta, New Jersey and died in New York City. He studied under Robert Henri, exhibited in the 1913 Armory Show, and drew for \u003cem\u003eThe Masses\u003c\/em\u003e alongside John Sloan and George Bellows.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eHendrik Glintenkamp · \u003cem\u003eCity Scene\u003c\/em\u003e, lithograph, edition of 50 · n.d. · Smithsonian American Art Museum · Accession 1968.98.40 · Gift of Audrey McMahon · Public domain (CC0).\u003c\/p\u003e\n  \u003cp style=\"margin:18px 0 0;border-top:1px solid #e0d7ca;padding-top:14px\"\u003e\u003ca href=\"\/blogs\/the-archive\/new-york-on-paper-they-all-went-down-to-the-water\" style=\"font-family:Ciutadella,sans-serif;font-weight:600;font-size:12px;letter-spacing:.14em;text-transform:uppercase;color:#6f5d4a;text-decoration:none\"\u003eRead this piece in The Archive →\u003c\/a\u003e\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49055136219236,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49055136252004,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49055136284772,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49055136317540,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/glintenkamp-city-scene-lamina.jpg?v=1787539177"},{"product_id":"earl-horter-brooklyn-bridge-print","title":"Earl Horter — Brooklyn Bridge","description":"\u003cp\u003e\u003cem\u003eThe bridge seen from the working waterfront — past the sheds and the masts, with the towers of Manhattan rising beyond the cables.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eAn etching, undated, drawn in a line so fine it exists only in print. Horter puts the bridge in its working context rather than isolating it: ferry sheds, a tug, a sailing boat, the piled roofs of the docks. The title and his signature are written in pencil below the plate. Reproduced from the impression at the Smithsonian American Art Museum.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eEarl Horter (1881–1940) was a Philadelphia etcher, illustrator and teacher, and an early American collector of Picasso, Braque and Duchamp — a modernist eye applied to a nineteenth-century medium.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eEarl Horter · \u003cem\u003eBrooklyn Bridge\u003c\/em\u003e, etching on paper · n.d. · Smithsonian American Art Museum · Accession 1969.76 · Gift of Mrs. Earle Horter · Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49055136514148,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49055136546916,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49055136579684,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49055136612452,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/horter-brooklyn-bridge-lamina.jpg?v=1787539183"},{"product_id":"glenn-coleman-coenties-slip-print","title":"Glenn O. Coleman — Coenties Slip","description":"\u003cp\u003e\u003cem\u003eWinter at the docks: a steamer at the pier, snow on the street, and a bar advertising FREE DRINKS to whoever gets there first.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA lithograph printed in black ink on wove paper, 1928, from an edition of fifty. The sheet is inscribed \u003cb\u003e9\/50\u003c\/b\u003e and signed and dated in pencil below the image; a second signature is drawn into the stone itself. The pier shed reads MALLORY LINE. Reproduced from the impression at the Detroit Institute of Arts.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eGlenn O. Coleman (1887–1932) studied under Robert Henri and drew New York at street level for twenty years — Chinatown, the Lower East Side, the waterfront — often walking the city with Stuart Davis and Hendrik Glintenkamp.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eGlenn O. Coleman · \u003cem\u003eCoenties Slip\u003c\/em\u003e, lithograph, edition of 50 · 1928 · Detroit Institute of Arts · Accession 31.49 · Founders Society Purchase, Mrs. James Couzens Fund · Public domain in the United States (published 1928).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49055136874596,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49055136907364,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/coleman-coenties-slip-lamina.jpg?v=1787539189"},{"product_id":"henry-farrer-evening-new-york-harbor-print","title":"Henry Farrer — Evening, New York Harbor","description":"\u003cp\u003e\u003cem\u003eNew York harbour at dusk in 1884, before the skyline: masts, a low shed, still water, and most of the sheet given over to sky.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eAn etching from 1884, printed with the tone left deliberately on the plate so the light sits in the water. This is the harbour of the sailing age — the Brooklyn Bridge had opened only the year before. Reproduced from the impression at The Cleveland Museum of Art.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eHenry Farrer (1843–1903) was born in London and worked in Brooklyn. He was a founder of the American Society of Painter-Etchers and one of the artists who made etching an American art rather than a reproductive trade.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eHenry Farrer · \u003cem\u003eEvening, New York Harbor\u003c\/em\u003e, etching · 1884 · The Cleveland Museum of Art · Accession 2004.208 · Gift of Mitzie Verne in memory of Dr. Daniel Verne · Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49055137136740,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49055137169508,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49055137202276,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49055137235044,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/farrer-evening-harbor-lamina.jpg?v=1787539195"},{"product_id":"maclaughlan-frontispiece-print","title":"Donald Shaw MacLaughlan — Frontispiece","description":"\u003cp\u003e\u003cem\u003eThe title page of the portfolio, and the only sheet that says what the whole thing is.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eTwo columns and an arch frame the skyline; on the steps below, a young man leans against the parapet and a woman sits at his feet. Cut into the plate above them, in the artist's own lettering: \u003cb\u003eTEN ETCHED PLATES OF CHICAGO\u003c\/b\u003e, and below, \u003cb\u003eBY DONALD SHAW MacLAUGHLAN\u003c\/b\u003e. It is the frontispiece to the 1931 portfolio — the sheet that declares the set.\u003c\/p\u003e\n\u003cp\u003eOne of the plates of \u003cem\u003eTen Etched Plates of Chicago\u003c\/em\u003e, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eFrontispiece\u003c\/em\u003e, etching, 1931. Smithsonian American Art Museum, 1974.85.78. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073015357540,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073015390308,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073015423076,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073015455844,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/521e06ee4933a9e40a332c5567b29f13.jpg?v=1787753570"},{"product_id":"maclaughlan-the-heart-of-chicago-evening-print","title":"Donald Shaw MacLaughlan — The Heart of Chicago (Evening)","description":"\u003cp\u003e\u003cem\u003eThe street closes over you and at the far end, very small, a figure stands on a dome.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThe strongest plate of the twelve. A canyon of buildings at dusk, drawn from the middle of the roadway, with cars parked along both kerbs and the crowd reduced to marks. At the end of the corridor a domed tower catches the last of the light, and on top of it a single standing figure. The sky is the only empty space in the sheet.\u003c\/p\u003e\n\u003cp\u003eOne of the plates of \u003cem\u003eTen Etched Plates of Chicago\u003c\/em\u003e, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eThe Heart of Chicago (Evening)\u003c\/em\u003e, etching, 1931. Smithsonian American Art Museum, 1974.85.82. Public domain (CC0).\u003c\/p\u003e\n  \u003cp style=\"margin:18px 0 0;border-top:1px solid #e0d7ca;padding-top:14px\"\u003e\u003ca href=\"\/blogs\/the-archive\/chicago-1931-the-only-date-is-the-one-he-cut-himself\" style=\"font-family:Ciutadella,sans-serif;font-weight:600;font-size:12px;letter-spacing:.14em;text-transform:uppercase;color:#5c5344;text-decoration:none\"\u003eRead this piece in The Archive →\u003c\/a\u003e\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073015554148,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073015586916,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073015619684,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073015652452,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/5e5e12da5c7389e6789b5c2be2916782.jpg?v=1787753577"},{"product_id":"maclaughlan-monroe-street-print","title":"Donald Shaw MacLaughlan — Monroe Street","description":"\u003cp\u003e\u003cem\u003eAwnings, shopfronts, a clock on a bracket — and the artist's signature cut into the plate.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA working street rather than a monument: awnings out, signs hung across the pavement, a clock projecting on its bracket, cars nosed in at the kerb and people crossing. In the lower right, drawn into the copper in the artist's hand, \u003cb\u003eD S MacLaughlan · 1931\u003c\/b\u003e — the date the museum record does not have.\u003c\/p\u003e\n\u003cp\u003eOne of the plates of \u003cem\u003eTen Etched Plates of Chicago\u003c\/em\u003e, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eMonroe Street\u003c\/em\u003e, etching, 1931. Smithsonian American Art Museum, 1974.85.85. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073016995940,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073017028708,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073017061476,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073017094244,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/392fd120621d35c1c5f7eeca9ee821f0.jpg?v=1787753583"},{"product_id":"maclaughlan-the-cathedral-print","title":"Donald Shaw MacLaughlan — The Cathedral","description":"\u003cp\u003e\u003cem\u003eA spire holding its ground in a street that has grown taller than it.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA gothic spire rises out of a block of commercial buildings, and the crowd at street level runs right across the bottom of the sheet — shop windows, hats, a queue. MacLaughlan signed and dated this plate too: \u003cb\u003eD S MacLaughlan 1931\u003c\/b\u003e, cut in at the lower left above the shopfronts.\u003c\/p\u003e\n\u003cp\u003eOne of the plates of \u003cem\u003eTen Etched Plates of Chicago\u003c\/em\u003e, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eThe Cathedral\u003c\/em\u003e, etching, 1931. Smithsonian American Art Museum, 1974.85.80. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073023713380,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073023746148,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073023778916,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073023811684,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/4342652c3b254cabf11ecf421676d631.jpg?v=1787753588"},{"product_id":"maclaughlan-the-chapel-print","title":"Donald Shaw MacLaughlan — The Chapel","description":"\u003cp\u003e\u003cem\u003eThe quietest sheet in the set: a tower, trees, and almost nobody.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA chapel with a square tower seen across an open lawn, with bare trees at either side and a few small figures on the path. After eleven sheets of traffic and towers this one has air in it — the only plate in the portfolio where the buildings are not pressing in.\u003c\/p\u003e\n\u003cp\u003eOne of the plates of \u003cem\u003eTen Etched Plates of Chicago\u003c\/em\u003e, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eThe Chapel\u003c\/em\u003e, etching, 1931. Smithsonian American Art Museum, 1974.85.79. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073023877220,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073023909988,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073023942756,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073023975524,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/70810bc3c9903afcdd5db8f2df56ebb9.jpg?v=1787753593"},{"product_id":"maclaughlan-the-gateway-print","title":"Donald Shaw MacLaughlan — The Gateway","description":"\u003cp\u003e\u003cem\u003eTwo towers standing either side of the river like a gate.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eTowers flank the opening of the river and a clock tower stands at the left, with a smaller pavilion and a bridge below. MacLaughlan drew it from the water side, so the buildings read as two piers of a gate rather than as a street. The smoke going sideways across the sky is his, not the weather's.\u003c\/p\u003e\n\u003cp\u003eOne of the plates of \u003cem\u003eTen Etched Plates of Chicago\u003c\/em\u003e, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eThe Gateway\u003c\/em\u003e, etching, 1931. Smithsonian American Art Museum, 1974.85.81. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073024073828,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073024106596,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073024139364,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073024172132,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/d9fba41949dd673eacf5218586726d51.jpg?v=1787753598"},{"product_id":"maclaughlan-michigan-avenue-no-1-print","title":"Donald Shaw MacLaughlan — Michigan Avenue no. 1","description":"\u003cp\u003e\u003cem\u003eThe avenue running away from you, with the towers stepping back one behind the other.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA long view down the avenue with the buildings receding in ranks, trees along the near kerb and a low classical block closing the right-hand side. Light is used sparingly: the sheet is mostly line, and the sky is left almost bare.\u003c\/p\u003e\n\u003cp\u003eOne of the plates of \u003cem\u003eTen Etched Plates of Chicago\u003c\/em\u003e, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eMichigan Avenue no. 1\u003c\/em\u003e, etching, 1931. Smithsonian American Art Museum, 1974.85.83. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073024303204,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073024335972,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073024368740,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073024401508,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/ea2847604649e84a72f5fe481d3d1093.jpg?v=1787753604"},{"product_id":"maclaughlan-michigan-avenue-no-2-print","title":"Donald Shaw MacLaughlan — Michigan Avenue no. 2","description":"\u003cp\u003e\u003cem\u003eThe same avenue, the other way, under weather.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThe second of the two Michigan Avenue plates, and the one where the sky does the work: a bank of cloud worked up in fine line above a low, even run of buildings. The street itself is almost empty. Together the two sheets make a pair, which is how they are numbered.\u003c\/p\u003e\n\u003cp\u003eOne of the plates of \u003cem\u003eTen Etched Plates of Chicago\u003c\/em\u003e, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eMichigan Avenue no. 2\u003c\/em\u003e, etching, 1931. Smithsonian American Art Museum, 1974.85.84. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073024434276,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073024467044,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073024499812,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073024532580,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/3ffa278fea95fe8a5e97eaac5c57ed41.jpg?v=1787753608"},{"product_id":"maclaughlan-the-wacker-drive-print","title":"Donald Shaw MacLaughlan — The Wacker Drive","description":"\u003cp\u003e\u003cem\u003eNight, the river, and a single lit tower burning through the plate.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThe darkest sheet MacLaughlan pulled in Chicago. The plate is inked almost solid, the bridge and the embankment are barely readable, and one tower stands lit at the centre with the glow spreading out into the sky. Everything else is held back so that it can.\u003c\/p\u003e\n\u003cp\u003eOne of the plates of \u003cem\u003eTen Etched Plates of Chicago\u003c\/em\u003e, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eThe Wacker Drive\u003c\/em\u003e, etching, 1931. Smithsonian American Art Museum, 1974.85.86. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073024565348,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073024598116,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073024630884,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073024663652,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/a5093628433264eee1b924ceeb2c727b.jpg?v=1787753613"},{"product_id":"maclaughlan-london-guaranty-building-print","title":"Donald Shaw MacLaughlan — London Guaranty Building","description":"\u003cp\u003e\u003cem\u003eThe one in colour: a night skyline with the windows lit, in watercolour.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eNot an etching — a watercolour, and the most unexpected sheet of the twelve. The skyline stands against a deep blue-black sky, the towers washed in ochre, rose and green, and the lit windows put in one by one. Nothing else MacLaughlan made in Chicago looks remotely like it.\u003c\/p\u003e\n\u003cp\u003eThis sheet is one of three works on paper that came with the portfolio but are not part of it: the museum catalogues them as drawings, not prints.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eLondon Guaranty Building\u003c\/em\u003e, watercolour over graphite, 1931. Smithsonian American Art Museum, 1974.85.18. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073024696420,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073024729188,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073024761956,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073024794724,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/331edc95e08603fff73536af8477efb7.jpg?v=1787753617"},{"product_id":"maclaughlan-rooftops-near-allerton-house-print","title":"Donald Shaw MacLaughlan — Rooftops near Allerton House","description":"\u003cp\u003e\u003cem\u003eA watercolour of the backs of buildings — the view from a window, not from the street.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003ePale washes of rose and ochre over a pencil drawing: water tanks, chimneys, the flat roofs of the low buildings, and a tall tower going up behind them. It is the view from an upper window rather than a composed street scene, and it is signed and dated in the lower right.\u003c\/p\u003e\n\u003cp\u003eThis sheet is one of three works on paper that came with the portfolio but are not part of it: the museum catalogues them as drawings, not prints.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eRooftops near Allerton House\u003c\/em\u003e, watercolour over graphite, 1931. Smithsonian American Art Museum, 1974.85.19. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073024827492,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073024860260,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073024893028,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073024925796,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/d8f750f200c2de603282eaac98579826.jpg?v=1787753622"},{"product_id":"maclaughlan-north-dearborn-street-print","title":"Donald Shaw MacLaughlan — North Dearborn Street","description":"\u003cp\u003e\u003cem\u003eA pencil drawing, with the elevated tracks cutting straight across the street.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eGraphite on paper, and the only sheet of the twelve with no colour and no ink at all. The elevated railway crosses the middle of the drawing on its steel structure, cars stand beneath it and the buildings are laid in with a hard, even line. A working drawing, kept.\u003c\/p\u003e\n\u003cp\u003eThis sheet is one of three works on paper that came with the portfolio but are not part of it: the museum catalogues them as drawings, not prints.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eDonald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eDonald Shaw MacLaughlan · \u003cem\u003eNorth Dearborn Street\u003c\/em\u003e, graphite, 1931. Smithsonian American Art Museum, 1974.85.17. Public domain (CC0).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49073025056868,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49073025089636,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49073025122404,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49073025155172,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/0c2107b9cba3bd567d3f23e121fd51c4.jpg?v=1787753627"},{"product_id":"cassatt-the-bath-print","title":"Mary Cassatt — The Bath","description":"\u003cp\u003e\u003ci\u003eThe one she herself labelled an imitation. The other nine she did not.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA woman in a yellow sprigged dress kneels and lowers a naked child towards a deep blue basin, testing the water with one hand. The blue of the basin is the only saturated area in the sheet and it anchors everything. In the catalogue of her 1891 exhibition this plate carried a designation the other nine did not: \u003ci\u003eEssai d'imitation de l'estampe japonaise\u003c\/i\u003e, an attempt at imitating the Japanese print. It is her own label, on her own work, and it makes this the first sheet of the series in every sense.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eThe Bath\u003c\/i\u003e, colour aquatint with burnishing, drypoint and softground, 1890–91. The Art Institute of Chicago, 1932.1287. Public domain.\u003c\/p\u003e\n  \u003cp style=\"margin:18px 0 0;border-top:1px solid #e0d7ca;padding-top:14px\"\u003e\u003ca href=\"\/blogs\/the-archive\/cassatt-ten-prints-she-called-the-first-one-an-imitation\" style=\"font-family:Ciutadella,sans-serif;font-weight:600;font-size:12px;letter-spacing:.14em;text-transform:uppercase;color:#4a5a63;text-decoration:none\"\u003eRead this piece in The Archive →\u003c\/a\u003e\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121253916772,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121253949540,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121253982308,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121254015076,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/3dfac09e0196c834c608da765d7d8c92.jpg?v=1788196391"},{"product_id":"cassatt-the-lamp-print","title":"Mary Cassatt — The Lamp","description":"\u003cp\u003e\u003ci\u003eA pink fringed lamp, a blue vase, a woman with a fan, and almost no depth at all.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA woman sits with a fan at a low table; behind her a lamp with a rose-coloured fringed shade and a deep blue vase. The objects are laid out across the sheet rather than into it, and the black of her hair sits flat against the wall. This is one of three plates in the set that Cassatt built from three separate copper plates rather than two.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eThe Lamp\u003c\/i\u003e, colour aquatint and drypoint, with softground, 1890–91. The Art Institute of Chicago, 1932.1290. Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121254244452,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121254277220,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121254309988,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121254342756,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/fecdfc73f9e029875ee857295211d838.jpg?v=1788196398"},{"product_id":"cassatt-in-the-omnibus-print","title":"Mary Cassatt — In the Omnibus","description":"\u003cp\u003e\u003ci\u003eThree women, a baby, and the Seine going past the window.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA nurse in brown holds a baby in white; a woman in a hat sits beside her and a child in a red-topped bonnet leans against the far side. Through the windows behind them, a bridge and the river. It is the only sheet in the ten set outside a private room, and the only one with a city in it. Everyone is occupied with the child or the journey; nobody is aware of being looked at.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eIn the Omnibus\u003c\/i\u003e, colour aquatint and drypoint, 1890–91. The Art Institute of Chicago, 1932.1289. Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121255555172,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121255587940,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121255620708,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121255653476,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/eb5bdcae8ecf44fe89fd674c26909f06.jpg?v=1788196405"},{"product_id":"cassatt-the-letter-print","title":"Mary Cassatt — The Letter","description":"\u003cp\u003e\u003ci\u003eA woman sealing an envelope, against a wall of green sprigged paper.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eShe sits at a small writing desk in a blue patterned dress, holding the envelope to her mouth to seal it. The wall behind is covered in a green sprigged paper that runs edge to edge, and the dress pattern and the wallpaper are given equal weight, so the figure is held inside the decoration rather than placed in front of it. The gesture is over in a second and she is entirely inside it.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eThe Letter\u003c\/i\u003e, colour aquatint and drypoint, 1890–91. The Art Institute of Chicago, 1932.1282. Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121255719012,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121255751780,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121255784548,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121255817316,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/0b240b1621b5849964455e30e8fb6bc0.jpg?v=1788196411"},{"product_id":"cassatt-the-fitting-print","title":"Mary Cassatt — The Fitting","description":"\u003cp\u003e\u003ci\u003eA dressmaker kneeling, a client standing, and a mirror that shows the back of the dress.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA woman in a striped dress stands on the fitting stool while a dressmaker kneels at the hem; a tall mirror at the right returns the back of the skirt. Behind them a wall of gold ornament. Two women at work, and the labour of the fitting given the same attention as the woman being fitted.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eThe Fitting\u003c\/i\u003e, colour aquatint and drypoint, 1890–91. The Art Institute of Chicago, 1932.1283. Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121255981156,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121256013924,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121256046692,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121256079460,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/60ad1310f4fc8ca12dc6a6d02eca76f8.jpg?v=1788196418"},{"product_id":"cassatt-woman-bathing-print","title":"Mary Cassatt — Woman Bathing","description":"\u003cp\u003e\u003ci\u003eThe sheet Degas was looking at when he asked whether she had modelled the back.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA woman stands at a washstand, stripped to the waist, bending over the basin, her back turned to us and the mirror above catching part of her face. The dress falls in green and rose stripes, the rug is patterned, the pitcher is patterned; nothing is neutral. Standing in front of this sheet, Degas asked her: \u003ci\u003eCe dos, vous l'avez modelé ?\u003c\/i\u003e — that back, did you model it? There is no shadow in it at all. The back turns on the strength of the line.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eWoman Bathing\u003c\/i\u003e, colour aquatint and drypoint, 1890–91. The Art Institute of Chicago, 1932.1281. Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121256144996,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121256177764,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121256210532,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121256243300,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/8fa510dacf5244e8ab8a27b45d9af610.jpg?v=1788196425"},{"product_id":"cassatt-mothers-kiss-print","title":"Mary Cassatt — Mother's Kiss","description":"\u003cp\u003e\u003ci\u003eA mother bending to a naked child, in a dress scattered with small red flowers.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThe mother leans down and the child reaches up, and the two heads meet at the centre of the sheet. Her dress is a pale green scattered with small red flowers that runs across the whole lower half. The background is a flat blue with no depth in it. The Art Institute of Chicago catalogues its impression of this plate under the title \u003ci\u003eAfter the Bath\u003c\/i\u003e; it carries the same catalogue raisonné number as the sheets held elsewhere as \u003ci\u003eMother's Kiss\u003c\/i\u003e, and we use the catalogue raisonné title.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eMother's Kiss\u003c\/i\u003e, colour aquatint and drypoint, 1890–91. The Art Institute of Chicago, 1932.1286. Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121256276068,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121256308836,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121256341604,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121256374372,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/df4d3df7cbca367a20dd6c6fddf2a488.jpg?v=1788196432"},{"product_id":"cassatt-maternal-caress-print","title":"Mary Cassatt — Maternal Caress","description":"\u003cp\u003e\u003ci\u003eA child pressed against a face, against a wall of ochre flowers.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThe baby is held high against the mother's cheek, one small hand at her jaw; her dress is a pale print and the hanging behind her is a spray of ochre and rose flowers on a chair back. The child's body is drawn in a single continuous contour with almost no interior line. Nothing in the sheet is looking outward.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eMaternal Caress\u003c\/i\u003e, colour aquatint and drypoint, with softground, 1890–91. The Art Institute of Chicago, 1932.1288. Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121257193572,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121257226340,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121257259108,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121257291876,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/f7d2289ed7845f5f05db8aaff08e1b99.jpg?v=1788196438"},{"product_id":"cassatt-afternoon-tea-party-print","title":"Mary Cassatt — Afternoon Tea Party","description":"\u003cp\u003e\u003ci\u003eTwo women, a tea service in blue, and gold added by hand on top of the print.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA visitor in a dark bonnet holds her cup while the hostess passes the plate; on the table between them a service in deep blue. This is the sheet where Cassatt went furthest past the press: on this impression she added brushwork and \u003cb\u003egold\u003c\/b\u003e by hand on top of the printed sheet. Because she inked every plate herself before each pull, no two impressions in the edition are the same — and this one carries work that exists on no other.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eAfternoon Tea Party\u003c\/i\u003e, colour aquatint and drypoint, with additions in brush and gold, 1890–91. The Art Institute of Chicago, 1932.1285. Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121257881700,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121257914468,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121257947236,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121257980004,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/d7412e5e89a993984f1306b934f56a9e.jpg?v=1788196446"},{"product_id":"cassatt-the-coiffure-print","title":"Mary Cassatt — The Coiffure","description":"\u003cp\u003e\u003ci\u003eA woman doing her hair, seen from behind and again in the glass.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eShe sits on a striped chair with her arms raised to her hair, her back to us, and the mirror in front returns her face and her front. The wallpaper is a pink sprigged pattern, the chair is a bold red and white stripe, and the figure is drawn almost entirely in outline against them. The last sheet of the series, and the one where the borrowed method has become entirely hers.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe pencil at the bottom.\u003c\/b\u003e Under the plate mark, in Cassatt's own hand: \u003ci\u003eImprimée par l'artiste et M. Leroy — Mary Cassatt — (25 épreuves)\u003c\/i\u003e. Printed by the artist and M. Leroy, twenty-five impressions. The Japanese sheets she had been studying carried the printer's name beside the artist's, and she did the same. It is reproduced here because it is part of the object.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eMary Cassatt (1844–1926) was born in Allegheny City, Pennsylvania, and spent her working life in France. She was the only American invited to exhibit with the Impressionists. In April 1890 she saw an exhibition of 725 Japanese prints at the École des Beaux-Arts in Paris, wrote to Berthe Morisot telling her not to miss it, and spent the following year teaching herself to do in copper what she had seen done in woodblock. She printed the results herself, at the press, alongside a professional printer, and signed each sheet in pencil.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on orders over $75.\u003c\/p\u003e\n\u003cp style=\"color:#6b5c4e;font-size:13px\"\u003eMary Cassatt, \u003ci\u003eThe Coiffure\u003c\/i\u003e, colour aquatint and drypoint, 1890–91. The Art Institute of Chicago, 1932.1284. Public domain.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":49121258864740,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":49121258897508,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":49121258930276,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":49121258963044,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/196f119cdcad93c1f9faa7f0c8bd82fc.jpg?v=1788196453"}],"url":"https:\/\/shop.metrica.art\/collections\/art-prints.oembed","provider":"Métrica","version":"1.0","type":"link"}