{"title":"From the Archive","description":"Public-domain documents — a cyanotype, a katagami, a composer’s own hand — reproduced faithfully as fine-art prints. The archive, hung.","products":[{"product_id":"anna-atkins-spiraea-aruncus-print","title":"Anna Atkins — Spiræa aruncus (cyanotype)","description":"\u003cp\u003e\u003cem\u003eA plant's shadow, printed in light. Anna Atkins laid a stalk of goat's-beard on iron-salted paper and left it in the sun — a photograph made without a camera.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThis is a \u003cstrong\u003ecyanotype\u003c\/strong\u003e — one of the earliest photographic processes, printed by sunlight alone. Where the plant blocked the light the paper stayed white; everywhere else it turned Prussian blue. We reproduce the original faithfully, exactly as it survives at the Metropolitan Museum of Art — including Atkins's own handwritten label.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eAnna Atkins (1799–1871) was a British botanist and, by most accounts, the first person to publish a book illustrated with photographs — \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e (1843). She turned a scientific record into images that still look like the future.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eAnna Atkins · \u003cem\u003eSpiraea aruncus (Tyrol)\u003c\/em\u003e, cyanotype · 1851–54 · The Metropolitan Museum of Art · Accession 2004.172 · Public domain (CC0).\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Botanical cyanotype by Anna Atkins — a plant specimen in Prussian blue.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48750725693540,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48750725726308,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48750725759076,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48750725791844,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/atkins-mockup_44b8d823-4834-479c-9764-916db447fcde.jpg?v=1784034018"},{"product_id":"aubrey-beardsley-isolde-print","title":"Aubrey Beardsley — Isolde (colour lithograph)","description":"\u003cp\u003e\u003cem\u003eOne of the few colour works Beardsley ever made: Isolde raising the cup, 1895 — flat planes and fine black line.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA colour lithograph published as a supplement to \u003cem\u003eThe Studio\u003c\/em\u003e in 1895. Reproduced faithfully from the impression at the Cleveland Museum of Art, including its black keyline border.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eAubrey Beardsley (1872–1898) redefined illustration in a career of barely six years — decadent, precise black-and-white line made for reproduction.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eAubrey Beardsley · \u003cem\u003eIsolde\u003c\/em\u003e, colour lithograph �� 1895 · The Cleveland Museum of Art · Accession 2010.651 · Public domain (CC0).\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Art Nouveau illustration — colour lithograph by Aubrey Beardsley.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754819858532,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754819891300,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754819924068,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754819956836,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/isolde-mockup.jpg?v=1784033981"},{"product_id":"the-beggarstaffs-don-quixote-print","title":"The Beggarstaffs — Don Quixote (1895)","description":"\u003cp\u003e\u003cem\u003eThe design that helped invent modern graphic design — cut paper and flat silhouette, 1895, for a Don Quixote poster the theatre refused to hang.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThe original cut-paper collage design (V\u0026amp;A: “not issued as a poster”), reproduced faithfully — the aged paper of the object is part of the piece.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003e“The Beggarstaffs” was James Pryde and William Nicholson, who for a few years in the 1890s made the most radical posters in Britain — reductive, flat, decades ahead.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eThe Beggarstaffs · \u003cem\u003eDon Quixote\u003c\/em\u003e, cut-paper collage · 1895 · Victoria and Albert Museum, London · Accession E.1208-1927 · Public domain.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Vintage poster design — The Beggarstaffs, Don Quixote, 1895.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754819989604,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820022372,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820055140,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820087908,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/donquixote-mockup.jpg?v=1784033984"},{"product_id":"kamisaka-sekka-white-heron-print","title":"Kamisaka Sekka — White Heron (Momoyogusa)","description":"\u003cp\u003e\u003cem\u003eA white heron built from flat, bordered planes — design thinking a century early.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA colour woodcut from Sekka’s \u003cem\u003eMomoyogusa\u003c\/em\u003e (“Flowers of a Hundred Worlds”), 1909–10. Reproduced faithfully from the impression at the Cleveland Museum of Art.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eKamisaka Sekka (1866–1942) was the last great master of the Rimpa school and, in many ways, the first modern Japanese designer.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eKamisaka Sekka · \u003cem\u003eShirosagi (White Heron)\u003c\/em\u003e, from Momoyogusa · 1909–10 · The Cleveland Museum of Art · Accession 1988.23.1.19 · Public domain (CC0).\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Japanese color woodcut — a white heron from Kamisaka Sekka’s Momoyogusa.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820120676,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820153444,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820186212,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820218980,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/whiteheron-mockup.jpg?v=1784033987"},{"product_id":"johann-bayer-orion-print","title":"Johann Bayer — Orion (Uranometria, 1603)","description":"\u003cp\u003e\u003cem\u003eOrion from an atlas of the whole sky that lettered its stars in Greek — the system astronomers still use.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA copperplate engraving from Bayer’s \u003cem\u003eUranometria\u003c\/em\u003e (Augsburg, 1603), engraved by Alexander Mair. Reproduced faithfully from the original plate.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eJohann Bayer (1572–1625) was a German lawyer and astronomer; his Uranometria introduced the Bayer designation, still standard today.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJohann Bayer · \u003cem\u003eOrion · Uranometria\u003c\/em\u003e, line engraving · Augsburg, 1603 · Engraved by Alexander Mair · Public domain.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Celestial map — the constellation Orion from Johann Bayer’s star atlas Uranometria, 1603 (line engraving).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820317284,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820350052,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820382820,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820415588,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/orion-mockup.jpg?v=1784033993"},{"product_id":"hishikawa-moronobu-after-a-little-music-print","title":"Hishikawa Moronobu — After a Little Music","description":"\u003cp\u003e\u003cem\u003eAn early ukiyo-e woodblock in a single sumi-black line, carved by the father of the form.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA sumizuri-e woodblock, c. 1673, printed in one black key-line before colour entered the medium. Reproduced faithfully from the impression at the Art Institute of Chicago.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eHishikawa Moronobu (c. 1618–1694) is called the father of ukiyo-e — the first to sign his prints and lift the “floating world” into an art of its own.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eHishikawa Moronobu · \u003cem\u003eAfter a Little Music\u003c\/em\u003e, sumizuri-e woodblock · c. 1673 · Art Institute of Chicago · Accession 1973.645.5 · Public domain.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Japanese ukiyo-e woodblock print by Hishikawa Moronobu.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820448356,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820481124,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820513892,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820546660,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/moronobu-mockup.jpg?v=1784033996"},{"product_id":"elizabeth-cobbold-monitory-lizard-print","title":"Elizabeth Cobbold — The Monitory Lizard","description":"\u003cp\u003e\u003cem\u003eA poet’s papercut: the lizard walks on the verse she wrote. Elizabeth Cobbold cut some eighty valentines a year, each scissored by hand.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA cut-paper valentine, c. 1823 — white paper scissored by hand on a red ground, with her own inscribed verse. Reproduced faithfully from the original at the New York Public Library.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eElizabeth Cobbold (1767–1824) was an Ipswich poet and naturalist who made intricate paper valentines for her annual St Valentine’s ball.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eElizabeth Cobbold · \u003cem\u003eThe Monitory Lizard\u003c\/em\u003e, cut-paper valentine · c. 1823 · The New York Public Library · Pforzheimer Collection · Public domain.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Papercut art — a cut-paper piece by Elizabeth Cobbold.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820579428,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820612196,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820644964,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820677732,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/cobbold-mockup.jpg?v=1784033999"},{"product_id":"katagami-flying-fish-print","title":"Katagami — Flying Fish (Japan, c. 1900)","description":"\u003cp\u003e\u003cem\u003eA katagami — the Japanese paper stencil cut to resist-dye kimono cloth, on the same principle as the silkscreen.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA hand-cut mulberry-paper dye-stencil, c. 1900, its reinforced edges part of the object. Reproduced faithfully from the original at Cooper Hewitt.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eKatagami were cut by anonymous master artisans in Japan; this flying-fish design is from the Meiji period.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJapan (Meiji) · \u003cem\u003eFlying Fish (katagami)\u003c\/em\u003e, paper dye-stencil · c. 1900 · Cooper Hewitt, Smithsonian Design Museum · Accession 1946-104-8 · Public domain (CC0).\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Japanese katagami — a paper stencil of flying fish, cut by hand to dye cloth.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754820743268,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754820776036,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754820808804,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754820841572,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/katagami-flying-fish-print-01-mockup.jpg?v=1790376269"},{"product_id":"aubrey-beardsley-the-black-cape-print","title":"Aubrey Beardsley — The Black Cape (Salomé, 1894)","description":"\u003cp\u003e\u003cem\u003eThe most famous dress in illustration — and it is one black shape. Beardsley for Wilde’s Salomé, 1894.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA line block from the first English edition of Oscar Wilde’s \u003cem\u003eSalomé\u003c\/em\u003e (Elkin Mathews \u0026amp; John Lane, 1894): pure black line and bare paper. Reproduced faithfully.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eAubrey Beardsley (1872–1898) scandalized Victorian England with a black-and-white line made for reproduction; nothing has looked quite like it since.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eAubrey Beardsley · \u003cem\u003eThe Black Cape\u003c\/em\u003e, line block · 1894 · First British edition · Salomé, London, 1894 · Public domain.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Art Nouveau black-and-white illustration by Aubrey Beardsley — Salomé, 1894.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754821267556,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754821300324,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754821333092,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754821365860,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/blackcape-mockup.jpg?v=1784034005"},{"product_id":"oliver-byrne-elements-of-euclid-print","title":"Oliver Byrne — The Elements of Euclid (I.47)","description":"\u003cp\u003e\u003cem\u003eEuclid in colour instead of letters — in 1847 Oliver Byrne proved the Pythagorean theorem in blocks of pure colour.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eThe colour proof of Proposition I.47 from Byrne’s \u003cem\u003eElements of Euclid\u003c\/em\u003e (William Pickering, London, 1847), reproduced faithfully — flat red, blue, yellow and black.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eOliver Byrne (1810–1880) replaced Euclid’s lettered diagrams with coloured figures “for the greater ease of learners” — a book a century ahead of its design.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eOliver Byrne · \u003cem\u003eThe Elements of Euclid · I.47\u003c\/em\u003e, colour proof · 1847 · First edition · London, 1847 · Public domain.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Colour geometry — Oliver Byrne’s illustrated Euclid.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754821398628,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754821431396,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754821464164,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754821496932,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/byrne-mockup.jpg?v=1784037551"},{"product_id":"mozart-symphony-32-k318-print","title":"W. A. Mozart — Symphony No. 32, K.318 (autograph)","description":"\u003cp\u003e\u003cem\u003eMozart’s own hand — the opening of Symphony No. 32, dated 26 April 1779. Nothing redrawn.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of Mozart’s autograph score, held at the New York Public Library. The archive marks are cleaned; every stroke of his hand is untouched.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eW. A. Mozart (1756–1791) wrote this symphony in Salzburg in 1779: three sections played without a break, in the manner of an Italian opera overture.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eW. A. Mozart · \u003cem\u003eSymphony No. 32, K.318\u003c\/em\u003e, autograph score · 1779 · The New York Public Library · Music Division · Public domain (U.S.).\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Music manuscript — Wolfgang Amadeus Mozart’s handwritten score of the Symphony No. 32, K. 318.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754821529700,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754821562468,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754821595236,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754821628004,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/mozart-mockup.jpg?v=1784034011"},{"product_id":"rimbaud-je-est-un-autre-print","title":"Arthur Rimbaud — « Je est un autre » (1871)","description":"\u003cp\u003e\u003cem\u003eThe line that broke poetry in two — « Je est un autre » — in Rimbaud’s own hand, not set in type.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of Rimbaud’s autograph manuscript — the “lettre du voyant” to Paul Demeny of 15 May 1871, held at the Bibliothèque nationale de France.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eArthur Rimbaud (1854–1891) had abandoned poetry by twenty-one; this is his hand at sixteen, remaking what a poem could be.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eArthur Rimbaud · \u003cem\u003e« Je est un autre »\u003c\/em\u003e, autograph manuscript · 1871 · Bibliothèque nationale de France · NAF 26499, f. 21 · Public domain.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Poetry manuscript — Arthur Rimbaud’s handwriting, 1871 (« Je est un autre »).\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":48754821660772,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":48754821693540,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":48754821726308,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":48754821759076,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/rimbaud-mockup.jpg?v=1784034014"},{"product_id":"bach-art-of-fugue-where-it-breaks-off-print","title":"J. S. Bach — The Art of Fugue, where it breaks off (autograph)","description":"\u003cp\u003e\u003cem\u003eBach’s own hand — the last leaf of the final fugue of \u003cem\u003eThe Art of Fugue\u003c\/em\u003e, where the music stops in the middle of a bar. Nothing redrawn.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of the fifth leaf of the autograph, held at the Staatsbibliothek zu Berlin (Mus.ms. Bach P 200\/1). In the tenor, Bach writes his own name in notes: B flat, A, C, B natural. Beside the break, a later hand noted that the author died while at work on the fugue; the note is usually attributed to his son Carl Philipp Emanuel. The library’s gray backdrop is removed; the torn corner is the leaf’s own.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eJohann Sebastian Bach (1685–1750). By Yoshitake Kobayashi’s chronology, these leaves were written between August 1748 and October 1749; Bach died in July 1750. No one knows for certain why the fugue stops.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJ. S. Bach · \u003cem\u003eThe Art of Fugue\u003c\/em\u003e, the final fugue, BWV 1080\/19, autograph · 1748–49 · Staatsbibliothek zu Berlin · Mus.ms. Bach P 200\/1 · Public Domain Mark.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Music manuscript — Johann Sebastian Bach’s handwritten score of the final fugue of The Art of Fugue.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":67710089494628,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":67710089527396,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/bach-art-of-fugue-where-it-breaks-off-print-01-mockup.jpg?v=1791983276"},{"product_id":"bach-well-tempered-clavier-title-page-1722-print","title":"J. S. Bach — The Well-Tempered Clavier, title page, 1722 (autograph)","description":"\u003cp\u003e\u003cem\u003eBach’s own hand — the title page of \u003cem\u003eThe Well-Tempered Clavier\u003c\/em\u003e, Book I, with his name and the year 1722. Nothing redrawn.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of the title page of Bach’s autograph, held at the Staatsbibliothek zu Berlin (Mus.ms. Bach P 415). It promises preludes and fugues “through all the tones and semitones” — \u003cem\u003edurch alle Tone und Semitonia\u003c\/em\u003e. The library’s red stamp is left as it is.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eJohann Sebastian Bach (1685–1750) was Kapellmeister at the court of Köthen when he wrote out this fair copy: a prelude and a fugue in every key, rising a semitone at a time from C.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJ. S. Bach · \u003cem\u003eDas Wohltemperirte Clavier\u003c\/em\u003e, title page, autograph · 1722 · Staatsbibliothek zu Berlin · Mus.ms. Bach P 415 · Public Domain Mark.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Music manuscript — Johann Sebastian Bach’s handwritten score — the title page of The Well-Tempered Clavier, 1722.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":67710089789540,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":67710089822308,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":67710089855076,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":67710089887844,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/bach-well-tempered-clavier-title-page-1722-print-01-mockup.jpg?v=1791983317"},{"product_id":"bach-ciaccona-partita-2-autograph-print","title":"J. S. Bach — Ciaccona, Partita No. 2 in D minor (autograph)","description":"\u003cp\u003e\u003cem\u003eBach’s own hand — the first page of the Ciaccona, from his fair copy of the \u003cem\u003eSei Solo\u003c\/em\u003e for violin, 1720. Nothing redrawn.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of leaf 13 verso of the autograph, held at the Staatsbibliothek zu Berlin (Mus.ms. Bach P 967). The Ciaccona fills five pages, from this one to leaf 15 verso; this is where it begins, under the heading “Ciaccona”. The music runs right up to the binding, as Bach wrote it.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eJohann Sebastian Bach (1685–1750) dated the title page of the collection 1720. Brahms, writing to Clara Schumann, called the Chaconne one of the most wonderful, most incomprehensible pieces of music.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJ. S. Bach · \u003cem\u003eCiaccona\u003c\/em\u003e, Partita No. 2 in D minor, BWV 1004, autograph · 1720 · Staatsbibliothek zu Berlin · Mus.ms. Bach P 967 · Public Domain Mark.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Music manuscript — Johann Sebastian Bach’s handwritten score of the Ciaccona, Partita No. 2 in D minor.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":67710090051684,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":67710090084452,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/bach-ciaccona-partita-2-autograph-print-01-mockup.jpg?v=1791983353"},{"product_id":"bach-fugue-b-minor-well-tempered-clavier-print","title":"J. S. Bach — Fugue in B minor, The Well-Tempered Clavier I (autograph)","description":"\u003cp\u003e\u003cem\u003eBach’s own hand — the first page of the fugue that closes \u003cem\u003eThe Well-Tempered Clavier\u003c\/em\u003e, Book I. Nothing redrawn.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of leaf 44 verso of the autograph, held at the Staatsbibliothek zu Berlin (Mus.ms. Bach P 415). At the top, “Fuga 24. à 4.”, and “Largo” beneath the opening. Its subject sounds all twelve semitones of the octave in its first three bars.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eJohann Sebastian Bach (1685–1750) wrote out the book as a prelude and a fugue in every key, rising a semitone at a time from C. B minor is the last key, and this fugue closes the book.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJ. S. Bach · Fugue No. 24 in B minor, BWV 869, autograph · 1722–23 · Staatsbibliothek zu Berlin · Mus.ms. Bach P 415 · Public Domain Mark.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Music manuscript — Johann Sebastian Bach’s handwritten score of the Fugue in B minor, The Well-Tempered Clavier I.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":67710090379364,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":67710090412132,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/bach-fugue-b-minor-well-tempered-clavier-print-01-mockup.jpg?v=1791983387"},{"product_id":"bach-well-tempered-clavier-last-page-print","title":"J. S. Bach — The Well-Tempered Clavier I, the last page (autograph)","description":"\u003cp\u003e\u003cem\u003eBach’s own hand — the last page of \u003cem\u003eThe Well-Tempered Clavier\u003c\/em\u003e, Book I, ending in “Fine” and “S. D. G.”. Nothing redrawn.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of leaf 45 verso of the autograph, held at the Staatsbibliothek zu Berlin (Mus.ms. Bach P 415). After the last bars of the Fugue in B minor, squeezed onto a short system at the foot of the page, Bach writes “Fine” and “S. D. G.”: \u003cem\u003eSoli Deo Gloria\u003c\/em\u003e, glory to God alone.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eJohann Sebastian Bach (1685–1750) began this book as a fair copy for pupils to copy from, and kept revising it for twenty years.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eJ. S. Bach · \u003cem\u003eThe Well-Tempered Clavier\u003c\/em\u003e, Book I, the last page, autograph · 1722–23 · Staatsbibliothek zu Berlin · Mus.ms. Bach P 415 · Public Domain Mark.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Music manuscript — Johann Sebastian Bach’s handwritten score — the last page of The Well-Tempered Clavier I.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":67710090575972,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":67710090608740,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/bach-well-tempered-clavier-last-page-print-01-mockup.jpg?v=1791983422"},{"product_id":"chopin-prelude-4-e-minor-autograph-print","title":"Fryderyk Chopin — Prelude No. 4 in E minor, Op. 28 (autograph)","description":"\u003cp\u003e\u003cem\u003eChopin’s own hand — the whole of the Prelude in E minor, Largo, on one leaf of his manuscript of the 24 Preludes. Nothing redrawn.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eThe document\u003c\/h3\u003e\n\u003cp\u003eA faithful facsimile of leaf 3 verso of Chopin’s autograph of the 24 Preludes, Op. 28, held at the Biblioteka Narodowa in Warsaw (Mus. 93 Cim.). The top of the leaf holds the close of Prelude No. 3; below, after “Largo” and the numeral IV, the fourth prelude runs complete to its last chord and “fine”. A marking beneath “Largo” is struck through in his ink.\u003c\/p\u003e\n\u003ch3\u003eAbout the artist\u003c\/h3\u003e\n\u003cp\u003eFryderyk Chopin (1810–1849) had already written much of the cycle when he left Paris for Majorca with George Sand in October 1838. He finished it on the island that winter.\u003c\/p\u003e\n\u003ch3\u003eThe print\u003c\/h3\u003e\n\u003cp\u003ePrinted to order and made to last. Choose \u003cstrong\u003eMuseum Matte\u003c\/strong\u003e (heavyweight matte art paper) or \u003cstrong\u003eFine Art Giclée\u003c\/strong\u003e (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed \u003cem\u003eas part of the piece\u003c\/em\u003e, set in our house type. Free US shipping on two or more pieces.\u003c\/p\u003e\n\u003cp style=\"font-size:12px;color:#6b5c4e;\"\u003eFryderyk Chopin · Prelude No. 4 in E minor, Op. 28, autograph · 1838–39 · Biblioteka Narodowa, Warsaw · Mus. 93 Cim. · Public domain.\u003c\/p\u003e\n\u003cp class=\"mtr-theme\" style=\"font-family:'Ciutadella',sans-serif;font-size:12px;letter-spacing:.06em;color:#8a8075;margin:14px 0 0\"\u003eTheme: Music manuscript — Fryderyk Chopin’s handwritten score of the Prelude No. 4 in E minor.\u003c\/p\u003e","brand":"Métrica","offers":[{"title":"Museum Matte \/ A3","offer_id":67710090805348,"sku":"GLOBAL-FAP-A3","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Museum Matte \/ A2","offer_id":67710090838116,"sku":"GLOBAL-FAP-A2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A3","offer_id":67710090870884,"sku":"GLOBAL-HPR-A3","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Fine Art Giclée \/ A2","offer_id":67710090903652,"sku":"GLOBAL-HPR-A2","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/chopin-prelude-4-e-minor-autograph-print-01-mockup.jpg?v=1791983458"}],"url":"https:\/\/shop.metrica.art\/collections\/from-the-archive.oembed","provider":"Métrica","version":"1.0","type":"link"}