{"product_id":"liszt-wagner-mit-correcturen-notebook","title":"Franz Liszt \u0026 Richard Wagner — Mit Correcturen (Three Manuscripts, Each the Work of Two Musicians) — Notebook","description":"\u003cstyle\u003e\n.mtr-ficha .lede{font-family:'Alverata',Georgia,serif;font-style:italic;font-size:20px;line-height:1.4;color:#1e1b17;margin:0 0 4px}\n.mtr-ficha .filete{width:34px;height:2px;background:#6f5d4a;margin:18px 0;border:0}\n.mtr-ficha h4{font-family:'Ciutadella',sans-serif;font-size:11px;font-weight:600;letter-spacing:.2em;text-transform:uppercase;color:#6f5d4a;margin:18px 0 8px}\n.mtr-ficha p{font-family:'Alverata',Georgia,serif;font-size:15.5px;line-height:1.66;color:#4c443b;margin:0 0 12px}\n.mtr-ficha li{font-family:'Alverata',Georgia,serif;font-size:15.5px;line-height:1.6;color:#4c443b}\n.mtr-ficha em{font-style:italic}\n.mtr-ficha details{margin:2px 0}\n.mtr-ficha summary{list-style:none;cursor:pointer;font-family:'Ciutadella',sans-serif;font-weight:600;font-size:12px;letter-spacing:.14em;text-transform:uppercase;color:#6f5d4a;padding:6px 0}\n.mtr-ficha summary::-webkit-details-marker{display:none}\n.mtr-ficha details[open] summary{display:none}\n.mtr-ficha .prov{font-family:'Alverata',Georgia,serif;font-style:italic;font-size:12px;color:#8a8075;line-height:1.5;margin:14px 0 0}\n.mtr-ficha .cita{background:#fdfbf7;border-left:2px solid #6f5d4a;padding:14px 18px 4px;margin:20px 0}\n.mtr-ficha .cita h4{margin-top:0}\n.mtr-ficha .cita .firma{font-family:'Ciutadella',sans-serif;font-size:13px;letter-spacing:.04em;color:#6f5d4a}\n\u003c\/style\u003e\n\u003cdiv class=\"mtr-ficha\"\u003e\n\u003cp class=\"lede\"\u003eThree manuscripts by Liszt and Wagner, each the work of two musicians. Then pages of your own.\u003c\/p\u003e\n\u003chr class=\"filete\"\u003e\n\u003ch4\u003eThe document\u003c\/h4\u003e\n\u003cp\u003eA label from the old wrapper of one of these manuscripts reads \u003ci\u003emit Correcturen von Wagner\u003c\/i\u003e: with corrections by Wagner. The phrase fits all three. In the \u003ci\u003eLohengrin\u003c\/i\u003e, dated December 18, 1852, the music is Wagner's and the hand is Liszt's. In the Fantasia in F-sharp minor, which Wagner wrote at eighteen, the hand is Anton Seidl's, who copied it at Bayreuth around 1877–78, and the corrections are Wagner's, made more than forty years after he wrote the piece. In the \u003ci\u003eO sacrum convivium\u003c\/i\u003e a copyist wrote out the music, and Liszt went over it in red chalk and blue pencil. All three are kept at the Staatsbibliothek zu Berlin, and this notebook reproduces their 28 pages complete.\u003c\/p\u003e\n\u003ch4\u003eInside the notebook\u003c\/h4\u003e\n\u003cp\u003eFirst, a short guide: the label that gives the notebook its name; Liszt and Wagner, who became father-in-law and son-in-law; Elsa's procession from \u003ci\u003eLohengrin\u003c\/i\u003e, which Liszt arranged for the piano and signed off \u003ci\u003e18 December \/ Soir = 52.\u003c\/i\u003e, \u003ci\u003eFür Hans.\u003c\/i\u003e; the Fantasia, and Seidl, who copied it; Wagner's note in the margin, \u003ci\u003eMordente ausführen!\u003c\/i\u003e, “play the mordents!”; and the \u003ci\u003eO sacrum\u003c\/i\u003e, its bars crossed out in red chalk and scored through in blue.\u003c\/p\u003e\n\u003cp\u003eThen the manuscripts, in the order in which they were written: four pages of Liszt's \u003ci\u003eLohengrin\u003c\/i\u003e, sixteen of Wagner's Fantasia and the eight of the \u003ci\u003eO sacrum\u003c\/i\u003e, the last two ruled and never used. The three are on paper of different sizes, and every page is printed at the same scale, 62% of its size, so that they can be compared.\u003c\/p\u003e\n\u003cp\u003eThen the pages are yours: 78 pages of staff paper, with staves like those on the last pages of the \u003ci\u003eO sacrum\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eA4, spiral-bound, it lies flat.\u003c\/p\u003e\n\u003cdetails\u003e\n\u003csummary\u003eContinue reading ▾\u003c\/summary\u003e\n\u003ch4\u003eThe measure\u003c\/h4\u003e\n\u003cp\u003eThe staves on your pages were measured on the library's photographs of the two empty pages that end the \u003ci\u003eO sacrum\u003c\/i\u003e: each staff 8.2 mm from its top line to its bottom one, one every 18.7 mm.\u003c\/p\u003e\n\u003ch4\u003eSpecifications\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA4 portrait · 210 × 297 mm\u003c\/li\u003e\n\u003cli\u003eSpiral-bound on the left · softcover · lies flat\u003c\/li\u003e\n\u003cli\u003e120 pages — the guide, 28 pages of the manuscripts and 78 pages of staff paper\u003c\/li\u003e\n\u003cli\u003e100 gsm uncoated paper\u003c\/li\u003e\n\u003cli\u003ePrinted on demand in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/details\u003e\n\u003cp class=\"prov\"\u003eFranz Liszt · Elsa's bridal procession from Wagner's \u003ci\u003eLohengrin\u003c\/i\u003e, arranged for piano, autograph, December 18, 1852 · Richard Wagner · Fantasia in F-sharp minor, WWV 22, copy by Anton Seidl with corrections by Wagner, Bayreuth, about 1877–78 · Franz Liszt · \u003ci\u003eO sacrum convivium\u003c\/i\u003e for organ or harmonium, copy with Liszt's corrections, about 1880–85 · Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Mus.ms.autogr. Liszt, F. 14; Wagner, R. 9; Liszt, F. 15\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Métrica","offers":[{"title":"Staff paper","offer_id":67940656054372,"sku":"SA-NB-LISZT-WAGNER-STAFF","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/2202\/3012\/files\/liszt-wagner-mit-correcturen-notebook-1.jpg?v=1793628063","url":"https:\/\/shop.metrica.art\/products\/liszt-wagner-mit-correcturen-notebook","provider":"Métrica","version":"1.0","type":"link"}