Donald Shaw MacLaughlan — Monroe Street

Awnings, shopfronts, a clock on a bracket — and the artist's signature cut into the plate.

The document

A working street rather than a monument: awnings out, signs hung across the pavement, a clock projecting on its bracket, cars nosed in at the kerb and people crossing. In the lower right, drawn into the copper in the artist's hand, D S MacLaughlan · 1931 — the date the museum record does not have.

One of the plates of Ten Etched Plates of Chicago, the portfolio MacLaughlan made in 1931. The Smithsonian holds eight of the ten plus the frontispiece.

About the artist

Donald Shaw MacLaughlan (1876–1938) was born in Charlottetown, Prince Edward Island, and died in Marrakesh. He spent three decades etching the old cities of Europe — Rouen, Venice, Paris — and in Chicago he was represented by the Albert Roullier Art Galleries. In 1931, at fifty-five, he made twelve views of Chicago. The following year he took a prize at the Society of Etchers annual in New York.

The print

Printed to order and made to last. Choose Museum Matte (heavyweight matte art paper) or Fine Art Giclée (Hahnemühle cotton paper — the archival standard). The Métrica museum caption — artist, title, date and source — is printed as part of the piece, set in our house type. Free US shipping on two or more pieces.

Donald Shaw MacLaughlan · Monroe Street, etching, 1931. Smithsonian American Art Museum, 1974.85.85. Public domain (CC0).

Theme: Architectural etching of Chicago by Donald Shaw MacLaughlan.