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A valentine cut from paper about 1823, and the verse written beneath it, looked at closely and at actual size. Then pages of your own.
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A valentine cut from paper about 1823, and the verse written beneath it, looked at closely and at actual size. Then pages of your own.
Elizabeth Cobbold cut a lizard among leaves and grasses out of a sheet of white paper about twenty-four centimeters across. A sheet of red lies behind it, so the red shows wherever the paper was taken away. Beneath it, in ink, two stanzas: “The Monitory Lizard tells / With warning Voice; where Danger dwells.” Monitory meant “giving admonition; warning.”
For nearly twenty years the Cobbolds held a party at Ipswich on the evening of St. Valentine’s Day. For it, her memoirist wrote, she “designed, composed, and executed” a set of valentines, “generally to the number of eighty.” The guests drew them by lot, and the prize was meant to foretell a marriage in the coming year.
First, twenty-three pages on the document: the valentine on its leaf of the album; who made it; four details, the head at twice actual size, the tail, and the two stanzas at actual size with their words enlarged; the party; two more leaves of the same album, an owl and a pyramid of the word ABRACADABRA; and the shirt Métrica prints from it.
Then 96 pages of your own: 68 ruled and 28 dot grid.
A5, spiral-bound, it lies flat.
Elizabeth Cobbold, 1767–1824, was born Elizabeth Knipe, in London. She published her first poems in 1783, and in 1790 married William Clarke, Comptroller of the Customs at Ipswich; widowed within six months, she then married John Cobbold of the Cliff Brewery there. She collected fossil shells, and James Sowerby named one after her. Whatever caught her interest, her memoirist wrote, was “celebrated and adorned both by her pen and pencil.”
Elizabeth Cobbold, Lizard, about 1823 · The New York Public Library, Carl H. Pforzheimer Collection of Shelley and His Circle, Pforz Acc 22-007 · Public domain in the United States, in the Library’s judgment
Notebook details
Illustration, silhouette and the expressive power of a line.
